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» மஹான் ஸ்ரீகாரைசித்தர் நூற்றாண்டில் தோன்றிய ஒர் கவி மாலை.
by nakasundaram Tue May 28, 2019 5:28 pm

» ஸ்ரீ ராமநவமி நாள் 13 04 2019
by nakasundaram Tue May 28, 2019 5:01 pm

» *MOVEMENT MANTRAS*
by arutsakthi Fri May 25, 2018 12:53 pm

» புதிய உறுப்பினர்
by Kalyani Sun Dec 03, 2017 6:43 pm

» பூஜ்யஸ்ரீ அருட்சக்திக்குருவின் அகவை எண்பதில் ஓர் கவிமாலை
by nakasundaram Wed Oct 18, 2017 11:38 am

» அறிவிப்புகள்
by Kalyani Wed Jun 07, 2017 10:04 am

» மகா சிவராத்திரி-பாமாலை
by aymkan Wed Mar 29, 2017 6:41 pm

» பார(தீ)தி........!
by Kalyani Wed Mar 15, 2017 3:33 am

» ஸ்ரீபாதஸப்ததி - ஸ்ரீநாராயணபட்டத்திரி எழுதியது
by arutsakthi Wed Nov 02, 2016 12:58 pm

» பரமபூஜ்ய ஸ்ரீசிதானந்தநாதர் அவர்கள் வரலாறு
by arutsakthi Tue Oct 25, 2016 6:06 pm

» introduction brief
by Kalyani Wed Sep 07, 2016 2:53 am

» தூங்கும் முறை பற்றி சித்தர்கள் கூறியது
by Kalyani Wed Sep 07, 2016 2:26 am

» Welcome to Vaikari Social
by nakasundaram Fri Aug 26, 2016 3:44 pm

» தமிழிலும் டைப் செய்யலாம்
by nakasundaram Wed Aug 24, 2016 1:10 pm

» WELCOME ADDRESS- Brahma Vidya Sathram
by nakasundaram Wed Aug 24, 2016 1:08 pm

» அன்றாட பூஜையில் தெரிய வேண்டிய சில விஷயங்கள்
by nakasundaram Wed Aug 24, 2016 1:07 pm

» நைமிசாரண்யம் - புனித யாத்திரையில் அனுபவம்
by nakasundaram Wed Aug 24, 2016 1:06 pm

» தானத்தின் பலன்கள்
by nakasundaram Wed Aug 24, 2016 1:05 pm

» வேதம் நிறைந்த தமிழ்நாடு - மஹா பெரியவா
by nakasundaram Wed Aug 24, 2016 1:04 pm

» ஸ்ரீஉபநிஷத் ப்ரஹ்மவித்யா-ஸ்ரீஸார் அவர்கள் செய்தது.
by arutsakthi Sun Aug 21, 2016 5:18 pm

» ஸ்ரீகாமேச்வரி துதி - ஸ்ரீதேவி பாகவதம்
by arutsakthi Sun Aug 21, 2016 5:11 pm

» Brahma Vidya Sathram -2016- Thanks
by arutsakthi Sun Aug 21, 2016 5:06 pm

» ஸ்ரீகாமேச்வரி-ஸ்ரீகாமேச்வரர் கல்யாணம் – ஒருவிளக்கம்
by arutsakthi Sun Aug 21, 2016 5:01 pm

» கேள்விகளும் பதிலும்
by arutsakthi Mon Aug 15, 2016 10:12 pm

» ஸ்ரீவரலட்சுமி நோன்புப்பாமாலை
by arutsakthi Tue Aug 09, 2016 11:21 am

» மஹான்களின் உரைகள்
by Kalyani Fri Aug 05, 2016 5:47 am

» ப்ரஹ்மவித்யாஸத்ரம் பற்றின அறிவிப்பு
by arutsakthi Thu Jun 23, 2016 9:10 am

» ப்ரஹ்மவித்யா ஸத்ரம்
by arutsakthi Thu Mar 24, 2016 6:32 pm

» ப்ரஹேலிகா என்றால் விடுகதை – Puzzle, Riddle
by Kalyani Sat Mar 19, 2016 8:16 am

» வாழ்த்துக்கள் ரவி
by Kalyani Sat Mar 05, 2016 7:21 am

» நைஷ்டிக பிரம்மசாரி யார்?
by karaikudiravi Wed Feb 10, 2016 9:25 pm

» நம் குணமும் காயத்ரி மந்த்ரத்தின் தொடர்பும்
by karaikudiravi Tue Feb 09, 2016 6:48 pm

» கிருஷ்ணர் தியான ஸ்லோகம்!
by karaikudiravi Tue Feb 09, 2016 12:47 am

» கீதையிலிருந்து மூன்று விதமான தவங்கள்
by karaikudiravi Tue Feb 09, 2016 12:41 am

» தன்வந்திரி பகவான் பற்றி படித்த சில தகவல்கள்
by karaikudiravi Tue Feb 09, 2016 12:31 am

» கேது பஞ்சவிம்ஶதி நாம ஸ்தோத்ரம்
by karaikudiravi Mon Feb 08, 2016 11:51 pm

» ராஹு பஞ்சவிம்ஶதி நாம ஸ்தோத்ரம்
by karaikudiravi Mon Feb 08, 2016 11:30 pm

» ஶனைஶ்சர ஸ்தவராஜ ஸ்லோகம்
by karaikudiravi Mon Feb 08, 2016 11:19 pm

» ஹிந்து குடும்பத்தை பற்றி தெரிந்து வைக்க வேண்டிய விஷயம்
by karaikudiravi Mon Feb 08, 2016 4:30 pm

» படித்ததில் ரசித்தது
by karaikudiravi Mon Feb 08, 2016 4:18 pm

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அறிவிப்புகள்

Wed Sep 07, 2016 3:34 am by Kalyani

அன்பான வாசகர்களே,

ரிதம்பர ஞானசபா என்ற சத்சங்க வாயிலாக கடந்த ஜூலைமாதம் 16'17 தேதிகளில் டெல்லியில் நடைபெற்ற ப்ரம்மவித்யா சத்ரம் விழா  எங்கள் …

Comments: 1

Welcome to Vaikari Social

Fri Aug 26, 2016 3:44 pm by nakasundaram

Welcome to Vaikari Social.

In another mile stone in our Ritanbhara Jnana Sabha with involving latest technology we have a dedicated social website which enables our members to communicate with each other by posting information, comments, messages, images, etc.(like Facebook). This is made for the purpose of using separate social media for ourselves and communicate/share each other to improve our …

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தமிழிலும் டைப் செய்யலாம்

Thu Dec 12, 2013 12:47 pm by nakasundaram

நமது சத்சங்கத்தில் தமிழிலும் டைப் செய்யலாம். திரையின் இடது புறத்தில் தமிழில் எழுத என்ற இடத்தில் சென்று ஆங்கிலத்தில் டைப் செய்தால் தமிழில் தானாக மாறிவிடும். பின்பு அதை காபி செய்து போஸ்ட்டிங்காக போடலாம்.
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Lalita Upakhyana - The Story of Lalita Tripura Sundar

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Lalita Upakhyana - The Story of Lalita Tripura Sundar Empty Lalita Upakhyana - The Story of Lalita Tripura Sundar

Post by arutsakthi Tue Oct 15, 2013 5:29 pm

Lalita Upakhyana - The Story of Lalita Tripura Sundari

In Brahmanda Purana, the story of Lalita Tripura Sundari is narrated by Lord Hayagriva (the horse-headed form of Lord Vishnu) to the great seer Agastya. Here is a brief of it.

There is a popular story in which Manmatha, the presiding deity of desire, is turned into ashes by the fire of Lord Siva's third eye. From those ashes, a demon by the name Bhandasura emerges. He acquires many powers through penance and defeats the army of Gods. He lived in his capital Shunyaka, constructed for him by Mayasura, the architect of demons.

Unable to withstand the might of Bhandasura, the gods had nowhere to go. Narada advises them to worship Sakti, the divine Mother. The gods worship the mother and perform a sacrifice to propitiate Her. The Mother emerges from the fire altar to fulfill the wishes of the gods and to dispel their fear. Since She emerged from the fire altar, She is called Agni Kunda Samudbhava. As She emerged to protect the gods and to
fulfill their aspirations, She is called deva karya samudyata. She is red in hue, the most beautiful Goddess. Lord Siva assumes the form of Kamesvara, and takes Her as His consort.

She then set out for destroying Bhanda and his armies. She is accompanied by Raja Matangi, Her minister on the one side. Raja Matangi is also called Raja Syamala, Mantrini and Nakuli. On the other side Varahi accompanied Her, the general of the Mother's armies. Varahi is also called Dandanatha. They were followed by the gods and their armies.

They announced war on Bhandasura's capital, Shunyaka, and there was a fierce battle. Varahi and Syamala started demolishing the armies of Bhanda and killing his generals. Bhanda sent his sons to arrest the attack of the divine armies, the eldest of them being Caturbahu (having four hands). Bala Maha Tripura Sundari, the child-form of the Mother, volunteered to fight Bhanda's sons and killed them.

After this, Bhanda's brothers Vishanga and Visukra, who were earlier vanquished and fled from the field, came back to fight Sri Devi's armies. Bhanda also applied a mystical contrivance to obstruct the march of Devi's armies, called vighna yantra (literally the machine of obstacles). When the Mother was merely glanced with love by the Lord Kamesvara, She gave birth to Ganesha (this is described as Kamesvara mukhaloka kalpita Sri Ganesvara). Ganesha destroyed the vighna yantra much to the
happiness of the divine armies. Then Bhanda inspired demon Gajasura to fight Ganesha, who was also killed by Him. The divine armies of Sri Devi marched forward, Vishanga was slain in this encounter by Mother Mantrini and Visukra by Varahi.

Bhanda faced the Mother directly, attacking Her with weapons inspired by mystical powers. Sri Devi destroyed his weapons with weapons inspired by the ten forms of Maha Vishnu, that emerged instantly from the ten nails of Her hands. Weapon inspired by Pasupati (a form of Lord Siva) demolished the demonic armies. Finally the weapon inspired by Maha Kamesvara, destroyed Bhandasura along with his capital Shunyaka.

The Mother was applauded and worshiped along with Lord Kamesvara.

Description of the Mother and Her Abode

The Mother is said to be red in hue (Aruna). Her abode is Manidweepa, the island of gems and pearls. It is also called Sri Nagara. It is not reachable even for Gods like Indra. It is through Her grace alone, that one can reach Her abode. She, along with Lord Kameswara, is worshiped there by lakhs of Her attendant deities. She is called Kamakala, the manifestation of desire. Out of desire for cosmic sport She acts. Out of desire for pleasing the Lord, and union with the Lord She plays. Ever smiling,
blissful and granting the boons of Her devotees, She is praised as personification of grace, bliss and mercy. She rules the universe and all aspects are Hers. All the beings, including the gods, act by Her inspiration and mercy.

In a verse meant for meditation on the Mother, She is described as:

Sindhuuraaruna vigrahaam trinayanaam maanikya moulisphurat Taara naayaka sekharaam smita mukheem aapeena vakshoruhaam PaaNibhyam aLi puurna ratna cashakam raktotpalam bibhrateem Soumyaam ratna ghatastha rakta caranaam dhyayet paraam ambikaam

Meaning the seeker meditates on the Mother (ambika), who is eternal (para), saffron-red in hue (sindhuuraaruna vigrahaa), having crown embedded with gems (manikya mouli), with Moon as an adornment over the head (taara naayaka sekharaa), three eyed (trinayanaa), eversmiling (smita mukhi), having high breasts (aapeena vakshoruhaa), with hands holding jeweled wine cup and red flowers (paaNibhyaam aLI puurna ratna cashakam raktotpalam bibhrati), ever soft and peaceful (soumyaa), with Her red lotus feet rested on a gem-decked pedestal (ratna ghatastha rakta caranaa).

Arunaam karunaa tarangitaaksheem dhruta pasa ankusa pushpa baana caapaam aNimaadibhiraavrutaam mayuukhaiH ahamityeva vibhaavaye bhavaneem

Meaning the seeker is meditating (vibhavaya) on the Mother (bhavani), red in hue (arunaa), colored and shining as Sun God (mayuukhaa), whose looks shower waves of grace and mercy (karunaa tarangitaakshi), with hands holding (dhruta) noose (pasa), goad (ankusa) andcane-bow that shoots flower-arrows (pushpa baana caapaam), with Goddesses with mystical powers in the outer rungs of Her palace-city (aNimaadibhiraavrutaa).

The first verse meditates on the Mother from head to feet. It is a general practice to meditate, describe and worship male forms or deities from feet to head upwards, and female forms or deities from head to feet downwards. Also, the Mother's feet are said to be the
abode of devotee, his ultimate destination. The second verse is about the
aspects of Sri Vidya, which are explained through the powers of Goddesses, the weapons held.
arutsakthi
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